2021 in Review: Unreal Nation

Happy new year, everyone. Did you all have a good New Year’s Eve? Stephanie and I celebrated by ordering pizza and watching Don’t Look Up on Netflix—a film that is at once simultaneously so hilarious and so depressing that I found myself wondering whether watching it on the last day of 2021 was a terrible idea or entirely appropriate … though I suppose it could be both.

Jonah Hill, Leonardo DiCaprio, Meryl Streep, and Jennifer Lawrence in Don’t Look Up

I hate New Year’s Eve as a night of celebration, and I always have—even when I was younger and more disposed to party like it’s 1999. A good friend of mine had the perfect summary of why NYE is so terrible. There are two days a year, he said, when you feel the most societal pressure to enjoy yourself: your birthday and NYE. Provided you have friends and/or family who love you, birthdays are great fun because they’re all about you. On New Year’s Eve, by contrast, it’s everybody’s birthday. Which is possibly why the more excessive the celebrations, the more they smack of desperation.

Normally I would have prepared a nice meal as a reluctant nod to mark the day, but I just got back from my parents’ place in Ontario five days ago, which means I’ve been quarantining. Which also means I can’t leave the house until tomorrow and buy groceries, and while we don’t lack for the basics, there isn’t much with which to make anything more then, well, the basics.

So, pizza. Which, given my antipathy to this particular holiday, seemed even more appropriate than anything requiring effort on my part. It might have to become the new custom.

I’ve been seeing a lot of 2021-related memes on social media, most of which involved (1) WTF? And (2) warnings not to jinx the coming year with high expectations, which we did at the start of 2021. But when you think about it, we’ve been exiting the year with a snarl and a backward-facing middle finger since … well, 2016, haven’t we? Which makes many of us want to blame Donald Trump for this series of successively sucky years, but if we haven’t yet collectively understood that he’s not the architect of our societal woes, just the bellwether, then things are gonna keep sliding downhill.

I mean … they probably will anyway, but the big reason for 2021’s unreasonably high expectations was the tacit assumption that with Trump out of office, things would inevitably get better.

And for a time, it looked like they were! And then … well, I was about to say that reality reasserted itself, but that wasn’t the biggest problem with this past year, was it? It would be more accurate to say that unreality reasserted itself. The Big Lie, anti-vaxxers, the hysteria over “critical race theory” and other bogus culture war non-issues, January 6 trutherism, and of course the ongoing state of climate-change denial. Reality has never been the problem, except insofar as accessing it without having to run a gauntlet of disinformation is now more or less impossible.

This profound sense of frustration and disconnect is why Don’t Look Up has landed so hard on its viewers. I laughed throughout the film, because it’s hard not to—it is comedy, based in the wilful obliviousness and ignorance of people so self-interested, so elementally selfish, that they are congenitally incapable of recognizing the very idea of a collective good. Many times through the film, I found myself thinking, “Wow, this is unsubtle.” But then … so is Tucker Carlson. So is QAnon. So is Donald J. Trump, and so are his legions of enablers and imitators. We live, sad to say, in profoundly unsubtle times.

Or as Stephanie put it midway through the movie, “It’s really depressing when there’s no daylight between satire and the thing it’s satirizing.”

So … happy 2022? Let’s … be careful out there.

1 Comment

Filed under politics, wingnuttery

One response to “2021 in Review: Unreal Nation

  1. Pingback: A Year of Almost-But-Not-Quite Blogging | it's all narrative

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